Stripped challenges the notion of the passive female subject by directly confronting voyeurism and the politics of looking. Through abstraction, the work destabilizes the body as a fixed or consumable image—transforming it instead into fluid gestures of light, color, and reflection. The women within the piece act as shape-shifters, moving seamlessly between states of form and formlessness. Here, eroticism is reclaimed as a site of autonomy rather than objectification. The work invites viewers to experience sensuality not through spectacle, but through rhythm, movement, and the immaterial qualities of light.